The elegiac puellae, of whom we have tantalizing glimpses in Propertius' lament for his lost tabellae, tell us little about their intellectual capabilities and nothing of their lives. The "learning" the poem celebrates is his and that of his personified tablets, trained by him, not that of his love objects, for whom the tablets serve as go-betweens. Socially, the puellae fall outside the categories proper to adult women (matronae), but are they courtesans (meretrices) who are free to act as they please or are they wayward wives who have cleverly eluded their husbands and their matronal obligations? The tablets, much used by Propertius (in writing poetry? for assignations with his domina, as in Elegiae 3.16?) are personified as learned (doctae), precious (carae), faithful (fideles) and persuasive on his behalf (placare puellas). Like the poet they speak eloquently, like servants they are reliable and plain in appearance (wood frames with wax insets upon which his stylus impressed and erased words) quite the opposite, we suspect, of his mistresses. Rather, it is their devotion to poetry and love which make the tablets worth the gold the poet offers for their return. Wondering what message was lost, he recalls former responses only one out of four is positive. The imperious voices of his puella/e complain of his lateness, seek reassurance of their beauty, question whether he defames them, command his presence for a night of love. The poem preserves no verba diserta written by a docta puella (non stulta is a far cry from docta), only the smooth talk (blanditiae) of a garrula puella.The poem is written in elegiac couplet.
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