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F O R  I M M E D I A T E  R E L E A S E
Contact: Barbara Nitzberg (914) 654-5285

CASTLE GALLERY USHERS IN HOLIDAY SEASON WITH
EXHIBIT ON MEXICAN MASTERS AND CONTEMPORARY ART

New Rochelle, NY, December 9, 2005 -- The Castle Gallery at The College of New Rochelle (CNR) plans to usher in the holiday season with an art exhibit entitled Presence of Mexico: An Exhibition of Mexican Masters and Contemporary Art, on display from December 11, 2005 through March 5, 2006.  This exhibition will feature works from Mexican Masters such as Diego Rivera, David A. Siqueiros, Manuel Alvarez Bravo, Rufino Tamayo, José Clemente Orozco and Leonora Carrington, alongside established and cutting-edge contemporary artists.  Paintings, lithographs, photographs, sculptures, works on paper and mixed media from approximately 30 Mexican artists whose diverse media and expression date from 1920 to 2005 will be featured. Exhibition materials will be offered in both English and Spanish.

The curator of this exhibition, Reyna Henaine, is a leading expert in the promotion of Modern and Contemporary Art from Mexico and Latin America. The Director of Henaine Fine Art, Ms. Henaine is committed to promoting mid-career artists with solid experience and high quality artwork. Her mission is to provide a better understanding of the many ways in which cultural influences affect an artist’s work. 

In conjunction with the Mexico exhibit, CNR will simultaneously mount another Crèche exhibition from CNR’s Kate Canty Crèche Collection in Leland Castle parlors, specifically highlighting Mexican and Latin American Nativity scenes.

 The opening reception for Presence of Mexico is scheduled for Sunday, January 8, 2006, 2:00–4:00 p.m.  All exhibits are appropriate for children of all ages.  The reception and exhibits are free and open to the public.  Castle Gallery is located on CNR’s Main Campus at 29 Castle Place in New Rochelle, NY 10805.  Hours: Tues & Wed 10:00 am to 8:00 pm, Thurs & Fri 10:00 am to 5:00 pm, Saturday and Sunday, 12 noon to 4:00 pm.  The gallery is closed Mondays and major national holidays.  Photos and images will be available upon request. For additional information, tours, and directions to CNR, please call (914) 654-5423 or visit us on the web at www.cnr.edu/cg.htm.

Presence of Mexico: an Exhibition of Mexican Masters and Contemporary Artists depicts symbolic representations utilized in Mexican Art throughout the 20th century.  The selection of prints, drawings, photographs and objects includes work by:

  • Mexican Masters Diego Rivera, David A. Siqueiros, José Clemente Orozco, Manuel Alvarez Bravo, Rufino Tamayo, Leonora Carrington, Leopoldo Méndez, Günter Gerzso, Raúl Anguiano, Alfredo Zalce and Francisco Toledo

  • Established artists Gilberto Aceves Navarro, José Luis Cuevas, Felipe Castañeda, Rafael Guerrero, Rodolfo Morales, Mario Martín del Campo

  • Mid-career artists Igor Gálvez, Jazzamoart, Jorge Marín, Tomás Pineda Matus, Lucía Maya, Jorge Robelo, and

  • Cutting edge artists Betsaveé Romero, Fernanda Brunet, Laura Anderson Barbata, Anabel Quirarte and Jorge Ornelas.  

The development of modern Mexican art was strongly shaped by pre-Hispanic civilizations as well as social and political revolutionary movements. These influences were reflected in the visual strategies employed by contemporary artists to communicate the complex ideas embodied in what was formerly considered “Mexican art.”

The main goal of this exhibition is to introduce another way of perceiving the art produced in Mexico and/or by Mexican artists. Considering that the dominant art movement that defined previous Mexican artistic expression is no longer prevalent, art produced from Mexico should no longer be categorized geographically, regionally or by artists’ ethnicity. 

Mexican Masters and contemporary artists manipulate our experience so that we become enraptured by the subtle juxtapositions of symbols and the blatant portrayal of life that is both familiar and foreign to us.  In Presence of Mexico, none of these works is necessarily bound in any way by its ethnic or geographical origin, although there are aspects of iconography that rely on cultural “origins.” Through the use of symbols accessible to the viewer and through the aesthetic manipulation of those symbols to evoke emotional response, both Masters and contemporary artists reveal their similarity- the use of universal elements of artistic expression to unmask and glorify the universal nature of the artistic language.



The first Catholic college for women in New York State, The College of New Rochelle was founded in 1904 by the Ursuline Order. Today, it comprises the all-women School of Arts & Sciences, and three schools which admit women and men: the School of New Resources (for adult learners), the School of Nursing and the Graduate School.  The main campus of the College is located in lower Westchester County, 16 miles north of New York City.  The College maintains six other campus locations in New York City. Visit the College’s website at www.cnr.edu

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