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"In the Art Department
Senior Exit Survey, graduating students most often mention the quality
of their
relationships with the professors and their one-on-one mentoring as one
of the
greatest strengths of our program. "
Cristina
de Gennaro
Associate
Professor of Art
School of Arts & Sciences
The College of New Rochelle
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What is your educational
background,
Professor De Gennaro?
I received
my MFA degree in Art from Stanford
University
in 1995. Preceding that, I received an MA in Aesthetic
Studies in 1990 and a BA in Art and Performance in 1987, both from the University of Texas,
Dallas.
Upon
graduating from Stanford, I was offered the position of Visiting
Assistant
Professor of Painting at Syracuse
University from
1995-96, and in the summer of 1996, I
taught painting for their Division of International Programs Abroad in Florence, Italy.

How long have you been at The College of New Rochelle?
I began
teaching at CNR in the fall of 1996, so I’ve been here 11 years this
fall. I began as an Assistant Professor of Art in
the School
of Arts and
Sciences and was promoted to
Associate Professor in 2000 and granted tenure in 2002.

What do you teach in the School of Arts & Sciences?
My present
responsibilities include teaching all levels of undergraduate painting,
drawing, and figure drawing, as well as the freshman art
colloquium.
Also, in fall 2005 I co-developed a new
course for our curriculum, collaboratively taught with Professor Margie
Neuhaus, called Integrated Media.
The course takes an interdisciplinary
approach to media and process, introducing students to a variety of
formats including
site-specific installation, environmental art, audio and video
components,
collaboration, and performance.
In
addition to studio art classes, I teach an interdisciplinary course for
the
liberal arts core curriculum called Art
and Science Parallels, collaboratively designed and taught with
Professor
Lynn Petrullo from the Biology Department.
This course is an SAS Viewpoints
capstone that introduces juniors and seniors to interdisciplinary
thinking
through comparing and contrasting the methodologies and skills from the
two
disciplines.

Besides teaching, how are
you
involved in the College Community?
I
believe
that to teach is to be involved in
the College Community in the deepest sense -- as an educator, teaching
is
primary to me and in the Art
Department
teaching often
extends well beyond the classroom and into the broader College
Community. This happens in a myriad of ways: I have
served as mentor for many student junior showcases and senior
exhibitions that
are presented to the broader community in the Bridge Gallery and the
Mooney
Center Exhibition Hall. And sometimes
the art works created in my courses find their way out of the galleries
altogether and into unexpected places on campus. For example, in Integrated Media the students are
encouraged to design art works to
be installed both indoors and out, across the campus. Our
students learn that art is about ideas
and that their ideas can play a role in shaping their
communities.
I’ve
also
enjoyed presenting my own art works at CNR on occasion and, most
recently, I
have exhibited my installation, Improbable
Spring, at the Mooney Center Exhibit Hall in spring 2006. The
installation
combined gouache paintings, archival inkjet prints and collaged
elements to
present a landscape of robins. (You can view
images of this and other recent art works on my web site at www.cristinadegennaro.com.)
The installation was inspired by a game I
used to play with my father as to who would spot the first bird of
spring and
the installation expressed aspects of my loss and grief at his
death.
That semester I also presented a slide
lecture in Romita Auditorium highlighting the development of my art
work over
the past 25 years.
Like
most
faculty, over the course of my tenure at CNR I have participated in a
large
number of committees – in the Art Department, SAS, and College wide –
these
have included RTS, the Faculty Fund Committee, the Council of the
Faculty, the
College Senate, the SAS Faculty Development Committee, and the SAS
Honors
Board, to mention a few. I am especially
delighted to presently be a member of the Castle Gallery Board of
Directors and
look forward to working on a new subcommittee to review exhibition
applications
and to revise the exhibition application process.

Are you currently working
on any
new projects?
Yes, I was
asked to create a new site-specific installation at Wave Hill (Bronx) in the foyer of the Wave Hill House to be
installed from November 2007 through January 2008. The piece will
be part of an exhibition
called Ornamental Instincts,
which
will include 10 other artists from the NY metropolitan area.
My
installation will focus on aspects of the Roman god Janus, his namesake
January, and New Year traditions. Janus was the precursor to Western
imagery of
“father time” and was usually depicted with two faces, back to back,
and
looking in opposite directions: one – an old man – looked “back” to the
past
while the other-- a young man, looked “forward” to the future. He was
the god
of beginnings and endings and also the god of gates and doorways. The
foyer is
the perfect location for my installation, which will encourage visitors
to become
more aware of their movement through the space and of the symbolic
references
of “entering” and “exiting” to aspects of temporality and
transition.

What do you think makes The College of New Rochelle a special College?
The
strength of our programs, the commitment and dedication of our
professors, our
location, and our small class size. In
the Art Department Senior Exit Survey, graduating students most often
mention
the quality of their relationships with the professors and their
one-on-one
mentoring as one of the greatest strengths of our program.

What sort of student is
successful
at CNR?
The same
kind of student who would be successful anywhere: the student who is
intelligent,
focused, honest, self-motivated, and creative. She is resourceful and
diligent,
and understands that the more time and effort she puts into her work,
the more
she will achieve from her education.

Where do your students go
after
leaving The College of New Rochelle?
The Art Department
offers four majors: Studio Art, Art Education, Art Therapy, and Art
History –
and there are different career trajectories for each of these
disciplines. Many of our majors pursue graduate degrees
after leaving CNR and we’ve had alumnae who have graduated from some of
the
finest graduate art, art education, art therapy, and art history
programs in
the country including, of course, The College of New Rochelle, The Art
Institute of Chicago, NYU, Pratt University, UC Berkeley, the School of
Visual
Arts, Columbia Teachers College, and Hunter College, among others. Most
of our
students continue to pursue their careers after graduating from CNR:
they are
working as graphic designers, professional artists, art therapists,
high school
and elementary school teachers, art historians, web site designers,
gallery
directors, museum curators, and that’s only the beginning of the list!
